Texture refers to the texture structure of the surface of an object, that is, various criss-cross, uneven, rough, and smooth texture changes, which can help express the characteristic feelings of aesthetics and painting content.
The texture is divided into visual texture and tactile texture. The influence of visual texture is mainly reflected in the texture shape, color feel, smoothness, etc. that can be seen;
Generally speaking, texture and texture have similar meanings. For creators, when the texture is used to connect with texture, it is used as a form of material expression for people to see, touch, and feel, and another is through Advanced craftsmanship creates new textures, different materials and craftsmanship can produce various textures effects, and can create rich external modeling forms, which are common in modern decorative paintings.
Human aesthetics itself is not limited to a certain plane. Monotony and rigidity are not beautiful; change and richness are beautiful. The walls are no longer so pale through the decoration of wallpaper and marble; the fabrics have textures and patterns, so they become more popular.
Simply put, it is to create different surface textures. In fact, the texture is not only in existence and painting but also in interior design, environmental art, architecture, and so on.
In painting, the texture is produced by the combination of material materials and expression techniques. It is an organization of pictures created by the painter according to his own aesthetic orientation and understanding of the subject of a painting, using different materials, using different techniques and expression techniques. Structure and texture.
The surface of any object has its specific texture changes, and the magical visual experience presented by such specific texture changes is exactly the texture effect that painting art seeks. The aesthetic value of texture in painting art cannot be underestimated. It has aesthetic characteristics that are difficult to achieve by other means of expression.
Rodin once said: "The nature that an artist sees is different from what ordinary people see in nature."
The brushstroke is the prototype of the texture. As a language of oil painting, the brushstroke is very characteristic of language. The brushstroke can show the impact and excitement of the oil painting content through the picture, further reflect the creator's oil painting theme and the infectious charm of the work, and can express the character's style, and even become a label for a certain person.
Through brushstrokes and textures, people can feel the world that the author wants to show people, which is the author's expression of his own emotions, and it is also the emotions that the author feels through his body after awakening. When the author paints, he has a new idea or feels a different emotion, which will eventually be expressed through the painting.
In traditional Western oil painting, a brushstroke is an important form of painting language, and there is always a brushstroke master in the history of oil painting. Van Gogh, Lucien Freud.
